Security guard Aurel (Andi Vasluianu) and his wife Irene have a moderately happy marriage and a moderately comfortable lifestyle in urban Romania. Irene takes a working trip to Cairo and returns invigorated with the swell of success. She sets out again and never returns. What follows is both predictable and unpredictable. Aurel, and the audience, are suspicious of the official explanation of her death so the foundation is laid for the traditional who-dunnit. Aurel proceeds on an emotional search against all odds.

A fisherman is about to launch his new trawler and wants to make it an occasion for his girlfriend to remember.

Irene is a single mother who works in a photocopying business. She lives with Santiago, her seven year old son, and her controlling mother Dinia. Then she meets Diego. They go out, she gets drunk, and the failed date triggers in Irene a crisis concerning her sexuality, her motherhood, and the relationship with her mother.

Description of Irene, a modern, free-spirited girl with a good job as press secretary for a film company. Nevertheless, she finds it difficult to get a grip on her life. She has grown distant from her husband, but for her daughter's sake she does not want to divorce him. Her lover Ebbe, a controversial journalist, is closer to her, but his violent infatuation can also be too much of a good thing. In a series of casual erotic relationships, Irene does not find what she is looking for either.

An intimate portrait of a woman's mental confrontation and drifting between dream and reality after experiencing loss.

A successful man leads a happy life with his new lover Ece. But one day, the ambitious old lover Sara, joins her life again with a job offer that she can not refuse. The man who changed his city for his new job by taking his lover Ece with him is soon to be destroyed by the disappearance of Ece.

Right-wing xenophobia rise in Hong Kong these few years. Narratives mold the ethics of a community. The Other(the Chinese title means strangers, from the Bible) mainly narrates in May 1962, plenty of refugees came to HK due to famine, students in Chung Chi College helped the refugees to reach the urban areas (so that they can register to be HK citizen). This story is cross-cut with the narratives that left-wing NGOs supporting mainland children of HK citizens and foreign domestic helpers fight for rights of abode. I use these narratives to proof my thesis, caring strangers and sojourners is an important value of HK, to resist the right-wing xenophobia. I try to make short film as writing thesis, to explore film form.

In the wake of a divorce, Thelma now lives alone with her teenage daughter Irene. Somewhat overwhelmed by the situation (and initially often hiding in bed), the two women embark on new experiences. The contours of new identities and a firmer footing as individuals gradually emerge.

暂无剧情简介

暂无英文版的简介，请添加内容帮助我们完善数据库。